See you on the other side.
"It's show time folks."
Arrived onsite and found a subdued group of performers and staff. I suppose there's a feeling of the work has been done and now the show must go on.
Just completed my first 30-minute shift for the
media. Not sure what ‘media’ is this day. I suppose if you have a Twitter
account you could consider yourself part of the media. I stood alone for the
first 15 minutes until the swarming junket poured into the room. Apparently there
are only supposed to be twenty people in the room at one time. The room is
small and even with ten people it feels like we’re all in a pair of old tight
jeans.
It’s difficult to hear what people are saying.
Though I have heard a number of visitors stifle snorty sniggers. Is it the
sudden confrontation? Perhaps it’s the ambiguity of space in conflict with
social conditioning? Could be? 13 ROOMS has the makings of a fantastic Bachelor
of Arts Honours Thesis.
The half hour periods seem to be improving, however,
the urge to fiddle, scratch, move and fart have to be toughed out. I’m sitting with my feet up watching
the clock tick down to my next shift in 15 minutes.
Remember tomorrow Thursday the 11th
April 2013 is opening day and the 13 ROOMS project is free. Down on Pier 2/3
Walsh Bay. There are a number of ways to get here, from Wynard, George Street
exit, you can take the 431 or 433 bus down to Walsh Bay through the Rocks.
Otherwise enjoy a walk through the Rocks, veer left in a westerly direction where
you will eventually get an awesome view of the bridge’s underbelly. Continue
around the circle road and there it is.
Selfie: me and my corner in art history
The Press-Gang-Hoods
are thinning out and heading to the bar (one would assume). The art world I
deduce from my extremely limited experience is according to dictionary
terminology is a shit hot (vulgar slang)
gig if you can get it.
Outside Pier 2/3 Walsh Bay (south west Bridge)
INVIGILATOR
Until this week I had never heard of the word invigilator I
mean who has? And that’s a rhetorical question! Just finished another foot
throbbing corner space shift. Had one visitor who stayed for the entire shift,
which makes standing still worse. When there are free moments I will casually
move my feet, shoulders and adjust my perspective (I’ll get back to invigilator
in a second) because whilst I am in art groove mode (AGM) Santiago Sierra wants
his warm props to be silent and still. So in this last shift the door opens and
my visitor walks back and forth (remember I face the corner) and then suddenly
the visitor stops and from what I could gather sits down. I wasn’t sure if this
was going to be a transcendental yoga stand-off. Finally ‘Steve’ relieves me
(Afghanistan Veteran) and I turn to eyeball the visitor who turns out to be an invigilator.
Jodie and Celia Invigilators
If I knew the invigilator was ‘staff’’ I would
have relaxed and stretched out. Invigilators are gallery ‘protectors’ or a Deputy
sheriff of the Arts. Consider the phrase, ‘mind the gap’ or once I was feeling up a
Giacometti at the MCA when a voice boomed from a hidden corner, ‘Hands of the
rock!’ Now that's an INVIGILATOR
Where's this?
Great day. Tough day. Feet tired and throbbing.
I had some excellent exchanges with visitors (I don’t interact but they interact
with me). Tomorrow is opening day and the buzz in the building is about to
burst.
Watch out Warhol's about
Eyeball-cam
Really REALLY well written! You're turning blogging about white space, stillness and silence into an art-form in itself. I love the unspoken stories and questions that go on between you and visitors to your room.
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